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On October 7, 1952, American Bandstand went on the air. On October 7, 1989, it aired for the last time.
American Bandstand
Also known as: Bandstand (1952–1957)
Release
Original network: WFIL-TV (1952–1957)
ABC (1957–1987)
Syndicated (1987–1988)
USA Network (1989)
Original release: October 7, 1952 – October 7, 1989
American Bandstand, abbreviated AB, is an American music-performance and dance television program that aired in various versions from 1952 to 1989, and was hosted from 1956 until its final season by Dick Clark, who also served as the program's producer. It featured teenagers dancing to Top 40 music introduced by Clark; at least one popular musical act—over the decades, running the gamut from Jerry Lee Lewis to Run–D.M.C.—usually appeared in person to lip-sync one of their latest singles. Freddy Cannon holds the record for most appearances, at 110.
The show's popularity helped Dick Clark become an American media mogul and inspired similar long-running music programs, such as Soul Train and British series Top of the Pops. Clark eventually assumed ownership of the program through his Dick Clark Productions company.
{snip}
Background
Dick Clark talks to Myrna Horowitz, one of the original dancers when the program began in 1952, on the show's 18th anniversary in 1970.
American Bandstand premiered locally in late March 1952 as Bandstand on Philadelphia television station WFIL-TV Channel 6 (now WPVI-TV), as a replacement for a weekday movie that had shown predominantly British films. Hosted by Bob Horn as a television adjunct to his radio show of the same name on WFIL radio, Bandstand featured short musical films produced by Snader Telescriptions and Official Films, with occasional studio guests. This incarnation was an early version of the music video shows that became popular in the 1980s, featuring films that were the ancestors of music videos.
Horn, however, was disenchanted with the program, and wanted to change the show to a dance program with teenagers dancing along on camera as records played, based on an idea that came from a radio show on WPEN, The 950 Club, hosted by Joe Grady and Ed Hurst. This more-familiar version of Bandstand debuted on October 7, 1952, in "Studio 'B'", which was located in their just-completed addition to the original 1947 building in West Philadelphia, and was hosted by Horn, with Lee Stewart as co-host until 1955. Stewart was the owner of a TV/Radio business in Philadelphia and even though he was an older gentleman, his advertising account was a large one for WFIL-TV, so he was put on the program to appease the account. As WFIL grew financially and the account became less important, Stewart wasn't needed and was eventually dropped from the program. Tony Mammarella was the original producer with Ed Yates as director. The short Snader and Official music films continued in the short term to fill gaps when dancers were changed during the show—a necessity, because the studio could not fit more than 200 teenagers.
On July 9, 1956, Horn was fired after a drunk-driving arrest, as WFIL and dual owner Walter Annenberg's The Philadelphia Inquirer were then running a series on drunken driving. He was also reportedly involved in a prostitution ring and brought up on morals charges. Horn was temporarily replaced by producer Tony Mammarella before the job went to Dick Clark permanently.
In late spring of 1957, the ABC television network asked their O&O's and affiliates for programming suggestions to fill their 3:30 p.m. (ET) time slot (WFIL had been pre-empting the ABC programming with Bandstand). Clark decided to pitch the show to ABC president Thomas W. Moore, and after some negotiations the show was picked up nationally, becoming American Bandstand on August 5, 1957. This first national broadcast of American Bandstand was filmed in the Starlight Ballroom in Wildwood, NJ. One show from this first season ( December 18, 1957, identified as the "Second National Telecast" ) is preserved in the archives of Chicago's Museum of Broadcast Communications.
One market not telecasting Bandstand was Baltimore, Maryland, as local affiliate WAAM (now WJZ-TV) elected to produce a local dance show in the same afternoon time slot. Local radio disc jockey Buddy Deane was chosen as the host of The Buddy Deane Show on Channel 13, and began a daily two hour broadcast on September 9, 1957. This development created a sometimes heated rivalry between Dick Clark and Buddy Deane, when performers who appeared first on Deane's program were refused booking on American Bandstand. Acts debuting on Bandstand appeared on Deane's program, but were asked to not mention their previous appearance with Clark while on the Baltimore show. The Buddy Deane Show aired on WJZ-TV until January 4, 1964.
"Studio 'B'" measured 80 by 80 by 24 feet (24.4 m × 24.4 m × 7.3 m), but appeared smaller due to the number of props, television cameras, and risers that were used for the show. It was briefly shot in color in 1958 when WFIL-TV began experimenting with the new technology. Due to the size of the studio, the need to have as much dance space as possible, and the size of the cumbersome color camera compared to the black-and-white models, it was only possible to have one RCA TK-41 where three RCA TK-10s had been used before. WFIL reverted to the TK-10s two weeks later when ABC refused to carry the color signal and management realized that the show lost perspective without the extra cameras.
{snip}
Program features
Rate-a-Record
Clark regularly asked teenagers their opinions of the songs being played, through the "Rate-a-Record" segment. During the segment, two audience members each ranked two records on a scale of 35 to 98, after which their two opinions were averaged by Clark, who then asked the chosen members to justify their scores. The segment gave rise to the catchphrase "It's got a good beat and you can dance to it." In one humorous segment broadcast for years on retrospective shows, comedians Cheech and Chong appeared as the record raters.
Featured artists typically performed their current hits by lip-syncing to the released version of the song.
Hosts
The only singer to ever co-host the show with Dick Clark was Donna Summer, who joined him to present a special episode dedicated to the release of the Casablanca film Thank God It's Friday on May 27, 1978. From the late 1950s and most of the 1960s, Clark's on-camera sidekick was announcer Charlie O'Donnell, who later went on to announce Wheel of Fortune and other programs hosted or produced by Clark, such as The $100,000 Pyramid. There were occasional shows that were not hosted by Clark, in which case a substitute host (among them Rick Azar) was brought in.
Theme music
Bandstand originally used "High Society" by Artie Shaw as its theme song, but by the time the show went national, it had been replaced by various arrangements of Charles Albertine's "Bandstand Boogie", including Les Elgart's big-band recording remembered by viewers of the daily version. From 1969 to 1974, "Bandstand Theme", a synthesized rock instrumental written by Mike Curb, opened each show. From 1974 to 1977, there was a newer, orchestral disco version of "Bandstand Boogie", arranged and performed by Joe Porter, played during the opening and closing credits. Elgart's version was released as a single in March 1954 (Columbia 40180) as well as Curb's theme ( by "Mike Curb & The Waterfall" ) in October 1969 (Forward 124).
From 1977 to September 6, 1986, the show opened and closed with Barry Manilow's rendition of "Bandstand Boogie", which he originally recorded for his 1975 album Tryin' to Get the Feeling. This version introduced lyrics written by Manilow and Bruce Sussman, referencing elements of the series. The previous theme was retained as bumper music. From September 13, 1986, to September 5, 1987, Manilow's version was replaced at the close of the show by a new closing theme arranged by David Russo, who also performed an updated instrumental arrangement of "Bandstand Boogie" when Bandstand went into syndication.
From 1974 to September 6, 1986, Bandstand featured another instrumental at its mid-show break: Billy Preston's synth hit "Space Race".
{snip}
Also known as: Bandstand (1952–1957)
Release
Original network: WFIL-TV (1952–1957)
ABC (1957–1987)
Syndicated (1987–1988)
USA Network (1989)
Original release: October 7, 1952 – October 7, 1989
American Bandstand, abbreviated AB, is an American music-performance and dance television program that aired in various versions from 1952 to 1989, and was hosted from 1956 until its final season by Dick Clark, who also served as the program's producer. It featured teenagers dancing to Top 40 music introduced by Clark; at least one popular musical act—over the decades, running the gamut from Jerry Lee Lewis to Run–D.M.C.—usually appeared in person to lip-sync one of their latest singles. Freddy Cannon holds the record for most appearances, at 110.
The show's popularity helped Dick Clark become an American media mogul and inspired similar long-running music programs, such as Soul Train and British series Top of the Pops. Clark eventually assumed ownership of the program through his Dick Clark Productions company.
{snip}
Background
Dick Clark talks to Myrna Horowitz, one of the original dancers when the program began in 1952, on the show's 18th anniversary in 1970.
American Bandstand premiered locally in late March 1952 as Bandstand on Philadelphia television station WFIL-TV Channel 6 (now WPVI-TV), as a replacement for a weekday movie that had shown predominantly British films. Hosted by Bob Horn as a television adjunct to his radio show of the same name on WFIL radio, Bandstand featured short musical films produced by Snader Telescriptions and Official Films, with occasional studio guests. This incarnation was an early version of the music video shows that became popular in the 1980s, featuring films that were the ancestors of music videos.
Horn, however, was disenchanted with the program, and wanted to change the show to a dance program with teenagers dancing along on camera as records played, based on an idea that came from a radio show on WPEN, The 950 Club, hosted by Joe Grady and Ed Hurst. This more-familiar version of Bandstand debuted on October 7, 1952, in "Studio 'B'", which was located in their just-completed addition to the original 1947 building in West Philadelphia, and was hosted by Horn, with Lee Stewart as co-host until 1955. Stewart was the owner of a TV/Radio business in Philadelphia and even though he was an older gentleman, his advertising account was a large one for WFIL-TV, so he was put on the program to appease the account. As WFIL grew financially and the account became less important, Stewart wasn't needed and was eventually dropped from the program. Tony Mammarella was the original producer with Ed Yates as director. The short Snader and Official music films continued in the short term to fill gaps when dancers were changed during the show—a necessity, because the studio could not fit more than 200 teenagers.
On July 9, 1956, Horn was fired after a drunk-driving arrest, as WFIL and dual owner Walter Annenberg's The Philadelphia Inquirer were then running a series on drunken driving. He was also reportedly involved in a prostitution ring and brought up on morals charges. Horn was temporarily replaced by producer Tony Mammarella before the job went to Dick Clark permanently.
In late spring of 1957, the ABC television network asked their O&O's and affiliates for programming suggestions to fill their 3:30 p.m. (ET) time slot (WFIL had been pre-empting the ABC programming with Bandstand). Clark decided to pitch the show to ABC president Thomas W. Moore, and after some negotiations the show was picked up nationally, becoming American Bandstand on August 5, 1957. This first national broadcast of American Bandstand was filmed in the Starlight Ballroom in Wildwood, NJ. One show from this first season ( December 18, 1957, identified as the "Second National Telecast" ) is preserved in the archives of Chicago's Museum of Broadcast Communications.
One market not telecasting Bandstand was Baltimore, Maryland, as local affiliate WAAM (now WJZ-TV) elected to produce a local dance show in the same afternoon time slot. Local radio disc jockey Buddy Deane was chosen as the host of The Buddy Deane Show on Channel 13, and began a daily two hour broadcast on September 9, 1957. This development created a sometimes heated rivalry between Dick Clark and Buddy Deane, when performers who appeared first on Deane's program were refused booking on American Bandstand. Acts debuting on Bandstand appeared on Deane's program, but were asked to not mention their previous appearance with Clark while on the Baltimore show. The Buddy Deane Show aired on WJZ-TV until January 4, 1964.
"Studio 'B'" measured 80 by 80 by 24 feet (24.4 m × 24.4 m × 7.3 m), but appeared smaller due to the number of props, television cameras, and risers that were used for the show. It was briefly shot in color in 1958 when WFIL-TV began experimenting with the new technology. Due to the size of the studio, the need to have as much dance space as possible, and the size of the cumbersome color camera compared to the black-and-white models, it was only possible to have one RCA TK-41 where three RCA TK-10s had been used before. WFIL reverted to the TK-10s two weeks later when ABC refused to carry the color signal and management realized that the show lost perspective without the extra cameras.
{snip}
Program features
Rate-a-Record
Clark regularly asked teenagers their opinions of the songs being played, through the "Rate-a-Record" segment. During the segment, two audience members each ranked two records on a scale of 35 to 98, after which their two opinions were averaged by Clark, who then asked the chosen members to justify their scores. The segment gave rise to the catchphrase "It's got a good beat and you can dance to it." In one humorous segment broadcast for years on retrospective shows, comedians Cheech and Chong appeared as the record raters.
Featured artists typically performed their current hits by lip-syncing to the released version of the song.
Hosts
The only singer to ever co-host the show with Dick Clark was Donna Summer, who joined him to present a special episode dedicated to the release of the Casablanca film Thank God It's Friday on May 27, 1978. From the late 1950s and most of the 1960s, Clark's on-camera sidekick was announcer Charlie O'Donnell, who later went on to announce Wheel of Fortune and other programs hosted or produced by Clark, such as The $100,000 Pyramid. There were occasional shows that were not hosted by Clark, in which case a substitute host (among them Rick Azar) was brought in.
Theme music
Bandstand originally used "High Society" by Artie Shaw as its theme song, but by the time the show went national, it had been replaced by various arrangements of Charles Albertine's "Bandstand Boogie", including Les Elgart's big-band recording remembered by viewers of the daily version. From 1969 to 1974, "Bandstand Theme", a synthesized rock instrumental written by Mike Curb, opened each show. From 1974 to 1977, there was a newer, orchestral disco version of "Bandstand Boogie", arranged and performed by Joe Porter, played during the opening and closing credits. Elgart's version was released as a single in March 1954 (Columbia 40180) as well as Curb's theme ( by "Mike Curb & The Waterfall" ) in October 1969 (Forward 124).
From 1977 to September 6, 1986, the show opened and closed with Barry Manilow's rendition of "Bandstand Boogie", which he originally recorded for his 1975 album Tryin' to Get the Feeling. This version introduced lyrics written by Manilow and Bruce Sussman, referencing elements of the series. The previous theme was retained as bumper music. From September 13, 1986, to September 5, 1987, Manilow's version was replaced at the close of the show by a new closing theme arranged by David Russo, who also performed an updated instrumental arrangement of "Bandstand Boogie" when Bandstand went into syndication.
From 1974 to September 6, 1986, Bandstand featured another instrumental at its mid-show break: Billy Preston's synth hit "Space Race".
{snip}
1954 HITS ARCHIVE: Bandstand Boogie - Les Elgart (‘American Bandstand’ theme)
The78Prof
51.2K subscribers
42,289 views May 8, 2019
Bandstand Boogie (Albertine) by Les Elgart & his Orchestra
Charles Albertine’s tune “Bandstand Boogie” was first recorded by the Elgart band on 1/29/54 and was issued soon thereafter on Columbia single 40180. Eventually adopted as the theme music for the local “Bandstand” afternoon dance program on Philadelphia’s WFIL-TV, the recording, and show host Dick Clark, remained relatively unknown outside of Philly until ABC-TV went national with “American Bandstand” in August of ’57.
THE 1954 HITS ARCHIVE - here in one place, a good-quality library of original-release-version best-sellers and songs that made an impact that were either released or enjoyed a major chunk of their popularity within the calendar year 1954 (some were recorded in 1953). .
{snip}
The78Prof
51.2K subscribers
42,289 views May 8, 2019
Bandstand Boogie (Albertine) by Les Elgart & his Orchestra
Charles Albertine’s tune “Bandstand Boogie” was first recorded by the Elgart band on 1/29/54 and was issued soon thereafter on Columbia single 40180. Eventually adopted as the theme music for the local “Bandstand” afternoon dance program on Philadelphia’s WFIL-TV, the recording, and show host Dick Clark, remained relatively unknown outside of Philly until ABC-TV went national with “American Bandstand” in August of ’57.
THE 1954 HITS ARCHIVE - here in one place, a good-quality library of original-release-version best-sellers and songs that made an impact that were either released or enjoyed a major chunk of their popularity within the calendar year 1954 (some were recorded in 1953). .
{snip}
Sat Oct 7, 2023: On this day, October 7, 1952, American Bandstand went on the air.
Hat tip, Little Steven, on "Little Steven's Underground Garage" Sunday night (in 2022)
Fri Oct 7, 2022: On this day, October 7, 1952, American Bandstand went on the air.
5 replies
= new reply since forum marked as read
= new reply since forum marked as read
albeit I could not see rap as a genre amenable to that kind of program nor a lot of today's "pop"... I guess in today's music that would pretty much leave Country (or Retro)... 
