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Faces of the dead emerge from lost African American graveyard
Retropolis
Faces of the dead emerge from lost African American graveyard
Bones of enslaved furnace workers tell the grim story of their lives
Smithsonian anthropologist Kari Bruwelheide points out details in the sculptures depicting the faces of two enslaved African Americans who labored at Catoctin Furnace in the late 1700s or early 1800s. (Katherine Frey/The Washington Post)
By Michael E. Ruane
July 9, 2021 | Updated yesterday at 7:19 a.m. EDT
Burial 35 was a young enslaved woman who walked with a limp and was missing a front tooth. She was in her 30s when she died, perhaps in childbirth. Her infant son, who died a few months later, was buried in a tiny coffin on top of her.
When the experts re-created her weary face, they gave her a headscarf, something she might have worn in the grimy Maryland industrial settlement where she lived.
Burial 15 was a teenager who had been laid to rest with care and what may have been sprigs of sassafras. The herniated discs in his back from overwork could not be reflected in his face, and the sculptor gave him a look of innocence.
The two re-created faces, unveiled for the first time last month, represent the culmination of an eight-year study that used genetics and other cutting-edge technology to examine remains of people enslaved in the late 1700s and early 1800s at Catoctin Furnace, a historic iron forge in Frederick County, Md.
{snip}
The two re-created faces represent the culmination of an eight-year study that used genetics and other cutting-edge technology to examine remains of people enslaved at the iron forge. (Katherine Frey/The Washington Post)
{snip}
By Michael Ruane
Michael E. Ruane is a general assignment reporter who also covers Washington institutions and historical topics. He has been a general assignment reporter at the Philadelphia Bulletin, an urban affairs and state feature writer at the Philadelphia Inquirer, and a Pentagon correspondent at Knight Ridder newspapers. Twitter https://twitter.com/michaelruane
Faces of the dead emerge from lost African American graveyard
Bones of enslaved furnace workers tell the grim story of their lives
Smithsonian anthropologist Kari Bruwelheide points out details in the sculptures depicting the faces of two enslaved African Americans who labored at Catoctin Furnace in the late 1700s or early 1800s. (Katherine Frey/The Washington Post)
By Michael E. Ruane
July 9, 2021 | Updated yesterday at 7:19 a.m. EDT
Burial 35 was a young enslaved woman who walked with a limp and was missing a front tooth. She was in her 30s when she died, perhaps in childbirth. Her infant son, who died a few months later, was buried in a tiny coffin on top of her.
When the experts re-created her weary face, they gave her a headscarf, something she might have worn in the grimy Maryland industrial settlement where she lived.
Burial 15 was a teenager who had been laid to rest with care and what may have been sprigs of sassafras. The herniated discs in his back from overwork could not be reflected in his face, and the sculptor gave him a look of innocence.
The two re-created faces, unveiled for the first time last month, represent the culmination of an eight-year study that used genetics and other cutting-edge technology to examine remains of people enslaved in the late 1700s and early 1800s at Catoctin Furnace, a historic iron forge in Frederick County, Md.
{snip}
The two re-created faces represent the culmination of an eight-year study that used genetics and other cutting-edge technology to examine remains of people enslaved at the iron forge. (Katherine Frey/The Washington Post)
{snip}
By Michael Ruane
Michael E. Ruane is a general assignment reporter who also covers Washington institutions and historical topics. He has been a general assignment reporter at the Philadelphia Bulletin, an urban affairs and state feature writer at the Philadelphia Inquirer, and a Pentagon correspondent at Knight Ridder newspapers. Twitter https://twitter.com/michaelruane